Shahnaz Bashir Each receding paranoid trooper diminishes, becomes tiny and fades past in the side mirror of the 407 bus, dragging behind itself a long ribbon of the thoroughfare road. The road bends at Dalgate and stretches through the downtown of Srinagar. Sakeena is one of the nearly thirty something … Read more →

Repudiating The Fathers: Resistance and Writing Back in Mirza Waheed’s The Collaborator

by Rakhshan Rizwan I write on that void: Kashmir, Kaschmir, Cashmere, Qashmir, Cashmir, Cashmire, Kashmere, Cachemire, Cushmeer, Cashmiere, Casmir, or Cauchemar in a sea of stories? Or: Kacmir, Kaschemir, Kasmere, Kachmire, Kasmir. Kerseymere? (Ali 3) Agha Shahid Ali, the critically acclaimed Kashmiri-American poet, speaks of his personal and literary conundrum … Read more →

Kashmir As a Palimpsest of Violence: Reading The Wonder House (2005) and The Homecoming (2008)

Mohammad Atif Mysterious mountains, intriguing rivers and picturesque valleys, caught between political controversy, insurgency, militancy and infiltration: Kashmir has been a topic of interest for many writers. Throughout history, Kashmir has been known for its scenic beauty and closeness towards nature while being there. But in the past half century, … Read more →

Theatrics of Occupation

ATHER ZIA Kashmiris were mourning the hanging of Afzal, a freedom fighter (previously armed) and a Mirza Ghalib aficionado, at India’s Tihar jail. They were shaking off the last vestiges of a coma-inducing curfew which was imposed to numb any arm-shaking, leg-moving, tongue-wagging or neck-raising reaction and the perpetual pain … Read more →

Three Lovers Of Night

Arif Ayaz Parrey At first glance, there was nothing ordinary about Roqsaan. Her skin had the sheen of February snow and her eyes were winter nights. She had the attitude of Chilla-i-Kalaan and a pout which warmed men’s hearts like the sun must in Chilla-i-Kalaan, leaving them with an afterglow … Read more →

Art of Protest in Kashmir

Written and Curated by Wasim Mushtaq Wani MOHAMMAD ABDULLAH MEHBOOB (1943) Mehboob’s most powerful and dynamically effective painting during the turmoil is interestingly a self-conscious quote from Picasso’s Guernica, 1937.  There cannot be a better reference to quote from the history of modern art which makes such a significant relevance as … Read more →

Taliban In Context of Kashmir

Syed Zafar Mehdi A palpable buzz in the town is that after the withdrawal of NATO forces from Afghanistan by the end of 2014, the hard-bitten Talibani guerillas may trickle over to the Indian-occupied-Kashmir. Local media has been sent into a tizzy as seasoned political pundits discuss its possible repercussions. … Read more →